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Fuji XT4- The Better One

Fuji XT4- The Better One

Fulifilm has refined its APS-C mirrorless line, making it the most complete system. The X-T4 comes with in-body image stabilization, has a larger battery, has made many improvements to the overall speed. The rear display flips out for vlogging and selfies. Sometimes fewer changes result in bigger benefits to the overall experience.

There have always been problems that have come with videography on most Fulifilm cameras. These have screens that only tilt, just okay autofocus, and limiting battery life. Fortunately, the X-T4 solves many of these problems while still keeping it at the top of its class for basically everything else.

The X-T4 has the 26.1 MP X-Trans 4 sensor in the X-T3, video remains mostly unchanged from the superb X-T3. The X-T4 keeps its maximum at DCI 4K at 60 fps with 10-bit color depth. This time you get FHD 240 fps option letting you record a 4x slow motion for a 60 fps video and 10x for 24 fps.

It comes with an all-new battery, the NP-W235, double its predecessor capacity (2350 vs 1260 mAh), and in-body image stabilization.

FUJIFILM calls the shutter out as being 30% quieter.

The X-T4’s fully articulating method seems like a total win. But it’s not as good for photography.

The screen itself is quite nice and substantially higher resolution than its predecessor p you(up to 1.62m dots from 1.04m). There is a video-specific mode that turns all control over to the screen, but changing anything requires trying to navigate a menu awkwardly that doesn’t work like any other part of the UI.

The IBIS (Image Stabilization) system doesn’t seem to be fully compatible with all lenses. This can likely be fixed with firmware. Still, there is a digital image stabilization in-camera via a crop—which is the way most smartphones, action cams, etc. these days handle this issue. It’s not the kind of thing you’d want to rely on unless you had to, due to the forced hit to resolution, but it’s a nice thing to have.

You were only able to monitor the system’s audio in the XT2 if you bought a third-party adapter. The X-T3 added the headphone jack—which made it a usable video camera, but you would need the additional battery grip, due to the very low battery life.

The XT-4 has a really exceptional battery compared to the previous- Gen versions, it’s surely going to give you that piece of mind. But, Fuji has oddly removed the headphone jack. It does come with a USB Type-C to 3.5mm adapter that will allow you to monitor audio, which would otherwise be used for charging the camera.

Observing the Specs of the XT-4, it’s better than the XT-3 in every aspect and you should consider the new boi if you’re interested in any one of them.

The wide range of improvements that FUJIFILM has made to its APS-C flagship come together to form the best they could offer.

Fuji XT4- The Better One

Fuji XT4- The Better One

Fulifilm has refined its APS-C mirrorless line, making it the most complete system. The X-T4 comes with in-body image stabilization, has a larger battery, has made many improvements to the overall speed. The rear display flips out for vlogging and selfies. Sometimes fewer changes result in bigger benefits to the overall experience.

There have always been problems that have come with videography on most Fulifilm cameras. These have screens that only tilt, just okay autofocus, and limiting battery life. Fortunately, the X-T4 solves many of these problems while still keeping it at the top of its class for basically everything else.

The X-T4 has the 26.1 MP X-Trans 4 sensor in the X-T3, video remains mostly unchanged from the superb X-T3. The X-T4 keeps its maximum at DCI 4K at 60 fps with 10-bit color depth. This time you get FHD 240 fps option letting you record a 4x slow motion for a 60 fps video and 10x for 24 fps.

It comes with an all-new battery, the NP-W235, double its predecessor capacity (2350 vs 1260 mAh), and in-body image stabilization.

FUJIFILM calls the shutter out as being 30% quieter.

The X-T4’s fully articulating method seems like a total win. But it’s not as good for photography.

The screen itself is quite nice and substantially higher resolution than its predecessor p you(up to 1.62m dots from 1.04m). There is a video-specific mode that turns all control over to the screen, but changing anything requires trying to navigate a menu awkwardly that doesn’t work like any other part of the UI.

The IBIS (Image Stabilization) system doesn’t seem to be fully compatible with all lenses. This can likely be fixed with firmware. Still, there is a digital image stabilization in-camera via a crop—which is the way most smartphones, action cams, etc. these days handle this issue. It’s not the kind of thing you’d want to rely on unless you had to, due to the forced hit to resolution, but it’s a nice thing to have.

You were only able to monitor the system’s audio in the XT2 if you bought a third-party adapter. The X-T3 added the headphone jack—which made it a usable video camera, but you would need the additional battery grip, due to the very low battery life.

The XT-4 has a really exceptional battery compared to the previous- Gen versions, it’s surely going to give you that piece of mind. But, Fuji has oddly removed the headphone jack. It does come with a USB Type-C to 3.5mm adapter that will allow you to monitor audio, which would otherwise be used for charging the camera.

Observing the Specs of the XT-4, it’s better than the XT-3 in every aspect and you should consider the new boi if you’re interested in any one of them.

The wide range of improvements that FUJIFILM has made to its APS-C flagship come together to form the best they could offer.